The Veiled Vestal Virgin, a masterpiece sculpted by Raffaelle Monti, holds a storied journey from its creation in Milan to its current residence at Chatsworth House, steeped in both artistic brilliance and historical intrigue.

Commissioned by the 6th Duke of Devonshire during his visit to Milan on 12th October 1846, the sculpture’s genesis is marked by a swift decision, with the Duke ordering it merely six days later and securing its creation with a £60 deposit. Crafted from marble, the Veiled Vestal Virgin was completed by April 1847, showcasing Monti’s mastery in capturing the delicate form and ethereal beauty of the subject.

Originally displayed at Chiswick House in west London, the sculpture eventually found its way to Chatsworth House in 1999. Here, amidst the grandeur of the Sculpture Gallery, it has enthralled visitors and gained additional renown through its appearance in the 2005 adaptation of ‘Pride and Prejudice’, starring Keira Knightley and Matthew Macfadyen.

This cinematic exposure further solidified the sculpture’s cultural significance, bringing it to the attention of a wider audience and cementing its place in popular imagination